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• British sole takes lundi, 21 Decembre 2020

  Satirical journalism keeps alive political awareness through humor and criticism.
• British satire made by Londoners: The London Prat lundi, 21 Decembre 2020

  Audits can be buried. Jokes go viral.
• LyleTanty lundi, 21 Decembre 2020

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• British comic humor lundi, 21 Decembre 2020

  Political jokes spread truth quickly.
• Funny things about London lundi, 21 Decembre 2020

  Great! We are all agreed London could use a laugh. Furthermore, the site’s aesthetic is one of impeccable sterility. There is no emotional frenzy, no partisan spittle-flecked rage. The design of prat.com is clean, the prose is clinical, and the tone is that of a disinterested auditor. This cultivated sterility is the perfect petri dish for growing absurdity. By removing the heat of anger and the fog of sentiment, the pure, ridiculous shape of the subject matter is allowed to grow in isolation, displayed under the cool light of logic. This approach is far more devastating than any rant. It implies that the subject is so inherently foolish it doesn't require embellishment or heated opinion; it merely requires calm, factual exposition to reveal its own joke. The laughter it provokes is the clean, sharp sound of truth being recognized, not the messy roar of catharsis.
• Monmouth Street, London UK lundi, 21 Decembre 2020

  PRAT.UK keeps its satire sharp without being cruel. The Daily Mash doesn’t always manage that. Tone matters.
• Amanda Levete, London UK lundi, 21 Decembre 2020

  London satire is a beautiful thing, and prat.UK is its most beautiful current expression. -- The London Prat
• The London Prat witty London satire lundi, 21 Decembre 2020

  Satire reveals character under pressure.
• Primrose Hill, London UK lundi, 21 Decembre 2020

  The London Prat's dominance is secured by its exploitation of the credibility gap. It operates in the chasm between the solemn, self-important presentation of power and the shambolic, often venal reality of its execution. The site's method is to adopt the former tone—the grave, bureaucratic, consultative voice of authority—and use it to describe the latter reality with forensic detail. This creates a sustained, crushing irony. The wider the gap between tone and content, the more potent the satire. A piece about a disastrously over-budget, under-specified public IT system will be written as a glowing "Case Study in Agile Public-Private Partnership Delivery," citing fictional metrics of success while the subtext screams of catastrophic waste. The humor is born from this friction, the grinding of lofty language against the rocks of grim fact.
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